Does that sound slightly boisterous to you?
But, isn’t advertising all about that – making it all look and sound bigger and better.
Actually…. Not any more! Advertising is no longer about the ‘first’ or the ‘largest’ or the ‘fastest’. Indian advertising is more about the emotion and the connect. And that’s what I am here to do as well.
Most often, directors and producers are working on multiple projects and pitches at the same time. When a PPM or a shoot or a final submission is around the corner, one can’t get their head around writing an impressive treatment. Not that one is incapable of doing so, but just that sometimes you need someone to take over the tedious work while you concentrate your energies to churn out bigger ideas. So you read the script and share your thoughts and then leave the rest to me. And it is my full time job to package what’s inside your mind into an impressive treatment note.
So, if this is the first time you are outsourcing a treatment note, you have found the right person.
Check out our previous work and get in touch.
WHY SHOULD YOU WORK WITH ME?
I have over five years of experience in treatment writing, having worked with multiple directors across brands, territories and genres.
I have a team that works for me – so multiple scripts, tight deadlines, extensive referencing – these things don’t scare us.
I offer value for time and money both. Most reasonable rates and no delay in committed deadlines – guaranteed!
I believe in relationship building, I’d like to become your trusted shadow. Never has a director gone home dissatisfied and most often we have created long lasting relationships where we are simply a phone call or a whatsapp message away.
I maintain a well-curated database of our work – production, agency and brand wise – to ensure that the pictures and narrative style doesn’t ever look repetitive.
I don’t follow templates, I follow the director and his or her vision to create a script-appropriate, fresh layout each time. Every script has a unique requirement and I cater only to that and not the trending template.
WHAT’S EVEN BETTER?
I have ten years of full 360 degree experience in the production of a commercial film – from being a First AD to a Producer. This makes my perspective very balanced – I understand the director and his or her vision; as well as the Producer and his or her limitations in terms of the budget.
I am a visual person who expresses in words. While film making is my dream, poetry has been my solace. This helps me visualize the film, just like the director would, understand his POV; and then express it in words that help create an impression.
I don’t aspire to direct advertising commercials, ever! This should reassure you that your ghost writer will never come out in the open to claim credit for the work that your have earned with your sheer talent and handwork.
COMMITMENT:
Confidentiality, Exclusivity and Value for Money
• I don’t work on the same pitch from different directors or producers; rather stick to first come first serve policy. (Yes, we have received multiple calls for the same pitch.)
• If we have worked on the same brand before, we never repeat the layout or references.
• I create brand/product appropriate layouts and contents keeping the director’s aesthetic taste in mind. Though, the basics – treatment overview, narrative flow, look & feel,characters, moods, cinematography – are mostly almost always retained.
• We create long term bonds – are prices are reasonable and payment deadlines flexible. I am open to deliverables in multiple formats and innumerable corrections even after final delivery.